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    Tele Ology Studies In Television

    Is this product missing categories? Add more categories. Review This Product. Welcome to Loot. Checkout Your Cart Price. The book draws on current critical theory in cultural studies to develop a wide-ranging and thought-provoking view of television broadcasting in Britain, Australia and the USA. It critiques power by dismantling the hegemonic text from within and in its place produces hopeful hybrid identities. Following Bahktin's definition, satirical or parodic hybridity presents two points of view that are not mixed or sublated; rather, they exist in a dialogic relationship Dialogic Because satire reveals knowledges otherwise denied, its radical potential also reveals structures of domination.

    This dialogism offers a stance from which to read Canadian television within the context of an ambivalent--if not agonistic--political history, with the hope of positing a radically democratic identity in a multicultnral national space. Often referred to as the quintessence of post-modern culture, television, as Jim Collins argues, unlike other media, does not "retro fit" critical paradigms developed in modernity Television criticism, then, should be able to provide fresh insights into the complex relationship between textuality, subjectivity, technology, and national identity, and even new ways of thinking historically.

    Television studies in Canada could be particularly instructive on these issues, for Canada grew tip in the "mass age," and any discussion of Canadian identity--or what makes television in Canada "Canadian"--cannot be separated from the influence of spatializing or mass technologies and the concomitant erasure of historical sense. Any inquiry into Canadian identity and agency must be made within the context of spatial representations and technology, for Canadian intellectual and creative thought